Poetry
vigil
Charlotte Poitras
issue three
you lie still
eyes shut
your body collapsed
to
stillness
why do our
corpses
hide
in darkness
every night?
and I
(hold my breath)
as if silence might steal you away
I’ve searched for you
through seconds that stretched
into finite eternities
but I must not wake you
no one can always be awake
no one lives without resting
RIP
remember I prayed
don’t we say
the dead are only sleeping?
we lie them down
in costly satin beds
close their eyes
as if they’ve seen too much
as if emptiness in a gaze
must be dressed
no one wants to meet
grandmother’s pupils staring nowhere
we hope their souls
are still dreaming
somewhere
I almost left once
not by choice—
just a rope
and the accident of surrender
they asked me
“why didn’t you stop the fainting?”
as if I could
but it felt
like falling asleep
peacefully
while my body
thrashed and reached for air
convulsing
I was drifting
painlessly
into dream
isn’t that what we wish for?
a death unnoticed
like sleep
you can’t fear
what you’ll never witness
you won’t mourn your own absence
but I
will feel the ache
of holding your stillness
cold as I remember it
with your sisters
one look back
as I left the room
I tucked them in
I wish for
cremation
“dust you are
and to dust
you shall
return”
and now,
each time you sleep
I watch
afraid you might not return
I count your breaths
one rise
one fall
my hand reaches
your skin withdraws
you’re here
still
and so I stay awake
in case
you wake up
to find me gone
Disclaimer: A more accurate version of this piece’s layout appears in the print edition.
About the Author
Charlotte Poitras is a neurodivergent and queer artist-entrepreneur based in Montreal, Canada. She explores the blurred lines between fiction and reality through writing, visual arts, and short films. Her work aims to entertain both hearts and minds by embracing devil’s advocate perspectives. She often blends the poetic with the unsettling, the intimate with the philosophical, drawing from both personal experiences and broader social tensions. Her creative process tends to be fast, visceral, and deeply embodied — much like her connection to the cat who inspired this poem.
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